all my junk, everything I had into this tiny little room about as big as this sofa, you know and I just lived in there for about 3 months. It's just a little tiny room and put my bed back on the floor, moved my JBLs in there, all my plants. I went through an experience that wasn't particularly pleasant and I moved out of my big English bedroom into the little back bedroom that was all.the lady that owned this house had put all this French wallpaper up that was flowers and it was beautifully, beautifully done. Yes in my uh Doheny house - in my English house. going back to the gypsy that I was prior to Fleetwood Mac. ~Stevie Nicks, interview in Revolution, November, 1989 General CommentAll the characters in my songs ~ the Gypsies, the Saras, and the on this album, Alice and Juliet ~ they're all me. Back to the gypsy that I was." Those are the words: 'So I'm back to the velvet underground' – which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff – 'back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was.' To a room with some lace and paper flowers. To contextualize, she voiced the lyrics: "So I'm back, to the velvet underground. She explained it was written sometime in 1978-79, when the band had become "very famous, very fast," and it was a song that brought her back to an earlier time, to an apartment in San Francisco where she had taken the mattress off her bed and put it on the floor. On Maduring a show in Montreal on Fleetwood Mac's Unleashed Tour, Stevie Nicks gave a short history of the inspiration behind Gypsy. To this day, when I'm feeling cluttered, I will take my mattress off of my beautiful bed, wherever that may be, and put it outside my bedroom, with a table and a little lamp." Just that and a lamp on the floor, and that was it–there was a certain calmness about it. I had old vintage coverlets on it, and even though we had no money it was still really pretty. Okay: In the old days, before Fleetwood Mac, Lindsey and I had no money, so we had a king-size mattress, but we just had it on the floor. "Oh boy, I've never really spoken about this, so I get verklempt, and then I've got the story and I start to screw it up. Here's her explanation of the rest of it: She's explained this in several interview you can Google and it's on Wikipedia as well. And "Lightning strikes, maybe once, maybe twice" - you'll only find a friend like that once, maybe twice in a life time. That's what the line "I still see your bright eyes" is about.
The first meaning is about Stevie herself, and the second, more emotional part, is about the death of someone, particularly her best friend Robin, who died of leukemia before it was released. Billboard US Hot 100 Singles Peak Position: 8 Peak Dates: Weeks on Charts: 15 Chart: Billboard UK Top 50/40 Singles Peak Position: 6 Peak Dates: Weeks on Charts: 7ĭate Performance: 1987, Running Time: 3:38ĭate Performance: 1979, Running Time: 6:26ĭate Performance: 1987, Running Time: 3:39ĭate Performance: 1975, Running Time: 3:38ĭate Performance: 1988, Running Time: 4:40Ĭomments: Presumably recorded & mixed at The Complex.ĭate Performance: 1982, Running Time: 2:33Ĭomments: Chart: Billboard UK Top 50 Singlesĭeprecated: Function ereg_replace() is deprecated in /home/penguin/public_html/discog/discog.Song MeaningThis song actually has a definite meaning, and it's beautiful. Chart: Billboard US Hot 100 Singles Peak Position: 43 Peak Dates: Weeks On Charts: 13ĭate Performance: 1976, Running Time: 4:14ĭate Performance: 1979, Running Time: 3:29Ĭomments: Recorded live at Dodger Stadium, Los Angeles, CA.
Lindsey Buckingham, Billy Burnette, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks, Rick Vitoĭeprecated: Function ereg_replace() is deprecated in /home/penguin/public_html/discog/discog.php on line 529ĭate Performance: 1975, Running Time: 4:10ĭate Performance: 1976, Running Time: 3:11Ĭomments: Chart: Billboard US Hot 100 Singlesĭate Performance: 1976, Running Time: 3:38ĭate Performance: 1982, Running Time: 3:44ĭate Performance: 1987, Running Time: 3:43ĭate Performance: 1982, Running Time: 4:24ĭate Performance: 1976, Running Time: 3:31ĭate Performance: 1988, Running Time: 4:08Ĭomments: Presumably recorded & mixed at The Complex. Advanced Search | Latest Updates | 30 Most Viewed
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